Once the basic design—a kind of fanciful pagoda with schematic flourishes not unlike Leonardo’s inventions—was devised, discussions with artists, musicians, architects, and suppliers yielded no end of possibilities and challenges. With a cast of contributing sound artists and inventors proposing a mind-boggling array of unusual or obscure technologies, the functioning of its instrumentation became a central focus, and it was soon evident that creating a series of smaller temporary musical shanties could provide an invaluable way of conducting field tests before embarking on the construction...http://www.sculpture.org/documents/scmag14/june_14/fullfeature.shtml
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