Παρασκευή 6 Ιουλίου 2012

glass Stone surface

By treating the extreme conditions of the California Mountains site as the means for formal and conceptual evolution of the project, Ecoscape integrates nature and architecture into a responsive system. The building’s skin is constituted of photovoltaic cells. Its surface geometry maximizes solar exposure by responding to a wide range of environmental parameters. These parameters are integrated to an algorithm that transforms and optimizes the surface geometry. Considering the requirement to design a project that would be self-sustainable, the maximized skin offers an important increase of energy production.

Customized according to the principles of discreet geometrical systems, the structure is a contemporary system led by a technological convergence of properties that generates its own natural paradigm. Its hypothesis seeks a modality that would engender architecture as nature by the use of cladding that generates both internal climatic and external architectural conditions such as skin and landscape. The structure does not only concentrate on the performance of the architectural entity as a matter of climatic conditions, but asks to treat the environment as an inclusive situation in which climate, surface and landscape are integrated to propose the evolution of events.

The building utilizes the solar energy for the creation of electricity as well as passive heating. The areas of the roof that distort to the optimal efficient angle in relation to the sun are covered with building integrated photovoltaic (BIPV) surface. BIPV is a system that sandwiches photovoltaic cells between two layers of glass, creating a building enclosure system where the wall or roof is the photovoltaic surface reducing the redundancy of the traditionally separated systems. In between the BIPV, the roof will be clad with Texlon Foil Systems. The foil is transparent and has high durable features, in addition to its lightweight or insulating properties. It is an intelligent and dynamic system that has the capability to adjust its shading, thermal, and aesthetic characteristics as the sun moves across the sky, responding to specific program and climatic requirements.

Natural ventilation will be utilized for cooling in the summer months. The width of the building in the north south direction allows for easy cross ventilation from low operable windows for air intake and high windows for exhaust, cooling the building during the day and if needed at night.

Τετάρτη 4 Ιουλίου 2012

a Fascinating World



http://www.campo-altissimo.de/en/sculpting-courses/index.php

The fascinating world of sculpting and painting again and again stimulates many to have their own artistic experience, to study further or just to relax.
Our courses in the mountain village Azzano run continuously from Easter to autumn, the most beautiful and enjoyable season in Italy.

We are surrounded by magnificent nature, imposing mountains and fertile planes. The coast of the Versilia with long sandy beaches is close by.
 Here, at the entrance to Tuscany - world famous for its art treasures and the Italian hospitality - many people from Europe and all over the world have been introduced to sculpting and painting.

Since the founding of the Campo dell'Altissimo 30 years ago our summer academy has become well known to many. It has also become the place to go for many professional artists who like to work at the Campo or let their models be cast in the local studios and bronze foundries in Pietrasanta.

The famous Tuscan cuisine and a variety of activities for tourists and sport fans alike are also always worth a journey! You can look forward to encounters with like-minded people and development and expression of your own artistic personality.

Τρίτη 3 Ιουλίου 2012

morphology Marble

The project, whose morphology attempts to break away from the initial geometric input, is a barnacle-like structure that continues the current architectural discourse of integrating form, growth, and behavior. The tendency is to cross over from architecture to biology, creating a self-organized structure but retain design control through use of different software and digital tools. Conceived and fabricated by Matsys Designs, Chrystalis (III) sculpture is in line with the studio’s previous work, as it explores emergent relationships between architecture, engineering, biology, and computation.

The cells are organized across an underlying substrate plane. They shift and slide across the surface as they attempt to find a more balanced packed state through the use of a relaxed spring network constrained to the surface. Each cell is composed of two parts: a cone-like outer surface made from cherry veneer and a non-planer inner plate made from poplar veneer that stresses the outer cone into shape. Each of the 1000 cell components are unfolded flat in the digital model, digitally fabricated, and hand assembled.

Date: 2012
Size: 190cm x 90cm x 90cm
Materials: Composite paper-backed wood veneers from Lenderink Technologies. Cherry veneer (exterior) and poplar veneer (interior).
Tools: Grasshopper, Kangaroo, Python, Lunchbox, Rhinoscript
Location: Permanent Collection of the Centre Pompidou, Paris, France
Exhibition: Multiversites Creatives, May 2 – August 6, 2012
The project, whose morphology attempts to break away from the initial geometric input, is a barnacle-like structure that continues the current architectural discourse of integrating form, growth, and behavior. The tendency is to cross over from architecture to biology, creating a self-organized structure but retain design control through use of different software and digital tools. Conceived and fabricated by Matsys Designs, Chrystalis (III) sculpture is in line with the studio’s previous work, as it explores emergent relationships between architecture, engineering, biology, and computation.

The cells are organized across an underlying substrate plane. They shift and slide across the surface as they attempt to find a more balanced packed state through the use of a relaxed spring network constrained to the surface. Each cell is composed of two parts: a cone-like outer surface made from cherry veneer and a non-planer inner plate made from poplar veneer that stresses the outer cone into shape. Each of the 1000 cell components are unfolded flat in the digital model, digitally fabricated, and hand assembled.

Date: 2012
 Size: 190cm x 90cm x 90cm
 Materials: Composite paper-backed wood veneers from Lenderink Technologies. Cherry veneer (exterior) and poplar veneer (interior).
 Tools: Grasshopper, Kangaroo, Python, Lunchbox, Rhinoscript
 Location: Permanent Collection of the Centre Pompidou, Paris, France
 Exhibition: Multiversites Creatives, May 2 – August 6, 2012

Cellular Automata

Cellular Automata
Computational / parametric architecture stays very close to contemporary theory of algorithms...

Lighthouse Architecture

Lighthouse Architecture
The Lighthouse of Alexandria

Potential Monuments

Potential Monuments
It shows a block of marble being quarried...

Memorials of Waste

Memorials of Waste
Visually, the project reflects the impact of pollutants in the aquatic ecology